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Judy's breakthrough method, while proven highly effective, is based simply on using the right materials in the right manner. She's taught it with great success in her five-day workshop. Inspired by her students' enthusiasm, this book demonstrates her techniques. The book concludes with a step-by-step demonstration illustrating the planning, colors, techniques and value statements Judy uses to create strong and brilliant watercolor paintings. While Building Brilliant Watercolors will benefit any watercolor artist who wants to make the most of their medium's jewel-like colors, it is a true treasure for those who also want to paint in a realistic style.

Introduction: How Watercolor Captured My Heart

Strategy for Brilliant Watercolors

　Chapter one Make the Most of Your Paper and Paint

　　White Paper Makes Your Colors Glow

　　Good-Bye Old Paint

　　Never Let It Dry

　　Add Water for Easy Flow and Vibrant Color

　　Summary and Tips

Chapter two Plan Before You Paint

　　Clarity Put-pose

　　Determine Subject Matter

　　Create Compositions That Work

　　Summary and Tips

The Power of Color

　Chapter three Know Your Colors Characteristics

　　Arrangement of Colors

　　Primary, Secondary and Complementary Colors

　　Make a Color Chart to Categorize and Compare

　　Color Temperature

　　Transparent, Semi-Transparent, Opaque and Semi-Opaque

　　Staining Colors Stick, Nonstaining Colors Lift Easily

　　Powerful Colors Go a Long Way; Delicate Colors Add Subtle Changes

　　Granulated Colors Give Texture; Nongranulated Colors Are Smooth

　　Make a Color Wheel

　　Summary and Tips

　Chapter four Make the Most of Color

　　Mix Vibrant Colors

　　Complementary Colors Sizzle or Turn to Mud

　　Use Warm Colors With Warms, Cool Colors With Cools

　　Warm Colors Advance; Cool Colors Recede

　　Tone Down Tube Greens

　　Summary and Tips

Painting Techniques Enhance Color

Values Provide Structure

Painting in Brilliant Color

Index

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书籍介绍

Treman is a highly accomplished watercolorist, working in a large-format, realistic style. Here, she concentrates on color theory and the unique ability of watercolor to achieve a transparent brilliance that lends work a heightened sense of reality. Unique to this volume is Treman's use of what she terms "disappearing purple." To avoid muddy colors, the bane of the medium, she paints in shadows as her first step, the opposite of the accepted method. She finds that shades of purple blend and disappear, leaving vivid, natural colors. (Old Masters, she contends, similarly used sepia as an underpainting in oils.) Limited mainly to floral still lifes, this should be added only after broader works on the same topic, like Rachel Rubin Wolf's Splash 4: The Splendor of Light (LJ 11/15/96).

Copyright 1998 Reed Business Information, Inc.