MAKING AN ELEPHANT（ISBN=9780307455758） pdf 下载 txt 阿里云 lit rtf azw3 免费

　　In his first-ever work of nonfiction, Graham Swift—Booker

Prize-winning author of Waterland and Last Orders—gives us a highly

personal book: a singular and open-spirited account of a writer’s

life.

Here Kazuo Ishiguro advises on how to choose a guitar; Salman

Rushdie arrives for Christmas under guard; Caryl Phillips shares a

beer with the author at a nightclub in Toronto. There are private

moments with Swift’s father and with his own younger self, as well

as musings—on history, memory, and imagination—that illuminate his

work. As generous in its scope as it is acute in its observations,

Making an Elephant brings together a richly varied selection of

essays, portraits, poetry and interviews, full of insights into

Swift’s passions and motivations, and wise about the friends,

family and other writers who have mattered to him over the

years.

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　　Graham Swift lives in London and is the

author of eight novels: The Sweet-Shop Owner; Shuttlecock,

which received the Geoffrey Faber Memorial Prize; Waterland,

which was short-listed for the Booker Prize and won The Guardian

Fiction Award, the Winifred Holtby Memorial Prize and the Italian

Premio Grinzane Cavour; Out of This World; Ever After, which

won the French Prix du Meilleur Livre ?tranger; Last Orders,

which was awarded the Booker Prize; The Light of Day; and,

most recently, Tomorrow. He is also the author of

Learning to Swim, a collection of short stories. His work

has been translated into more than thirty languages.

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书籍介绍

In his first-ever work of nonfiction, Graham Swift—Booker Prize-winning author of Waterland and Last Orders —gives us a highly personal book: a singular and open-spirited account of a writer’s life.

Here Kazuo Ishiguro advises on how to choose a guitar; Salman Rushdie arrives for Christmas under guard; Caryl Phillips shares a beer with the author at a nightclub in Toronto. There are private moments with Swift’s father and with his own younger self, as well as musings—on history, memory, and imagination—that illuminate his work. As generous in its scope as it is acute in its observations, Making an Elephant brings together a richly varied selection of essays, portraits, poetry and interviews, full of insights into Swift’s passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years.