Ragtime Rediscoveries(爵士乐再发现) pdf 下载 txt 阿里云 lit rtf azw3 免费

　　Connoisseurs of rag are aware that original, creative syncopation does not stop with Joplin. The ragtime revival is only beginning to rediscover forgotten rags composed by little-known pianists and arrangers (including many women) and printed by small specialized local music publishers. The great obstacle to further rag renown is of course the rarity of the original sheet music; this collection brings together some of the most geographically and stylistically diverse quality rags written over the entire two decades of the ragtime era.

Ragtime Rediscoveries presents the original sheet music (including covers) of 64 unfamiliar rags of superior musical excellence as well as historical interest. Trebor Jay Tichenor, well-known ragtimer, composer, collector and editor (see Ragtime Rarities, also from Dover) has located the scattered and sometimes unique copies of sheet music, and discussed their musical quality and relevance to ragtime history in his introducton.

The rags here range from "The Pride of Bucktown" (Robert S. Roberts, 1897), one of the earliest printed, through Willie Anderson's rare masterpiece "Key-stone Rag" (1921), a survival from ragtime's fadeout and an echo of past charms. The classical rag from Missouri is represented by three neglected works of James Scott. But the focus is on the diversity of rag style and locale. Cincinnati, Indianapolis, Detroit and Wichita offer rags equal to any from New York City or New Orleans. Iowa, Nebraska, and rural Vermont spawned original experiments in syncopation. In "Levee Revels" (1898), W. C. O'Hare of Shreveport, Louisiana anticipates Joplinesque sophistication with "one of the most inspired and soulful cakewalk-style pieces ever written." Les C. Copeland, Kansas. born pianist who took his rags to Paris (where Gershwin praised him) adds a Midwestern flavor to his early "Cabbage-Leaf Rag" (1909). Mixtures of ra8 with country, fox-trot and even blues styles (Maggio's "I Got the Blues," 1908) show the flexibility and later developments of the form. A good many womer (Julia Lee Niebergall, Geraldine Dobyns, Irene Cozad, Imogene Giles, etc.) again demonstrate the appeal rag had for different kinds of composers.

Clifford Adams INK SPLOTCH RAG (A.Hospe Co., Omaha, 1909)

Willie Anderson KEYSTONE [KEY-STONE] RAG (Stark Music Co., St.Louis, 1921)

J.E.Andino OLE VIRGINNY BARBECUE (Andino & Ruehl, New York, 1899)

Harvey M.Babcock WORLDS FAIR RAG (Harvey M.Babcock, San Francisco, 1912)

George D.Barnard A CYCLONE IN DARKTOWN (Carl Fischer, New York, 1910)

Charles B.Brown POLICY KING (Will Rossiter, Chicago, 1905)

Mattie Harl Burgess RAG-ALLEY DREAM (Will Rossiter, Chicago, 1902)

E.L.Catlin SYMPATHETIC JASPER (John Stark & Son, St.Louis, 1905)

Edward Clark, Jr.RAGS AND TATTERS (Edward Clark, Jr., Poultney, Vt., 1900)

L.E.Colburn DIMPLES (Colburn-Rendina Music Publishing Co., Kansas City, Mo., 1910)

Harry L.Cook THE SHOVEL FISH (Jerome H.Remick & Co., Detroit, 1907, 1908)

　SLIVERS (Central Music Co., St.Louis, 1909)

Les Copeland CABBAGE-LEAF RAG (Marsh & Needles Music Publishing Co., Wichita, 1909)

Irene Cozad LATIN' TIME (J.W.Jenkins' Sons Music Co., Kansas City, Mo., 1913)

Geraldine Dobyns POSSUM RAG (O.K.Houck Piano Co., Memphis, 1907

Clyde Douglass OLD VIRGINIA RAG (Parker Music Co., New York, 1907)

C. Roland Flick SNOWBALL BABE (Frank G. Fire, Nashville, 1900)

E. Warren Furry THE ROBARDINA RAG (Balmer & Weber Music House Co., St. Louis, 1902)

　[preceded by the cover, only, of the 1904 Thiebes-Stierlin edition]

Irene M. Giblin CHICHEN CWOWDER (Jerome H. Remick & Co., New York, 1905)

Imogene Giles RED PEPPERS (Giles Bros., Quincy, Ill., 1907)

Teddy Hahn THE AMAZON RAG (Miller-Arnold Publishing Co., Cincinnati, 1904)

A. E. Henrieh QUEEN RAGLIN [RAGLAN] (H. A. French, Nashville, 1902)

Bob Hoffman A DINGY SLOWDOWN (Duggan-Hoffman, New Orleans, 1. 900)

　DIXIE QUEEN (Victor Kremer Co., Chicago, 1906, 1907)

Max Hoffman[n] BAG MEDLEY (M. Witmark & Sons, New York, 1897)

Edward Hudson MOONSHINE RAG (Stark Music Co., St. Louis, 1916)

Charles Humfeld WHO LET THE COWS OUT? (Howard & Browne Music Co., St. Louis, 1910)

Charles Hunter WHY WE SMILE (Frank G. Fire, Nashville, 1903)

M. H. Irish A COON SERENADE (Frank G. Fite, Nashville, 1903)

Elijah W. Jimerson [Jamerson?] THE CHECKERBOARD (Syndicate Music Co., St. Louis, 1914)

Clarence Jones THE CANDY (John Arnold, Cincinnati, 1909)

Harry W. Jones SWAMPTOWN SHUFFLE (Medbery Music Co., Chicago, 1902)

Joe Jordan J. J. J. RAG (Pek.in Pub. Co.. Chicago, 1905) [cover missing]

Edwin F. Kendall THAT SCANDALOUS RAG (John Franklin Music Co., New York, 1912)

J. Bodewalt Lampe DIXIE GIRL (Whitney-Warner Publishing Co., Detroit, 1903)

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