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内容简介:
In Beatrice Prior’s dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can’t have both. So she makes a choice that surprises everyone, including herself.
如果世界按照所有美的特质划归五派,无私,无畏,诚实,友好,博学,在这样一个世界里,还会不会有杀戮,争端,夺权,暴乱?
答案你知道。
因为丑恶从未消失,它只是被深深地隐藏起来,妄图在某一天爆发出来,冲毁这世界。
在本书看似平静的开头后面,潜藏着令人惊讶的奇曲过程,我们所有人化身16岁少女“碧翠丝”,跟着她从安宁平和的无私派生活突然坠入分歧者的危境,突入无畏派基地,历经新生训练的血雨腥风,变身强悍理智美貌加身的“翠丝”,经历一场未知结局却至死不渝的恋爱,再跟着她走上解密分歧者之路,完成一次向死而生的蜕变。
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作者介绍:
维罗尼卡 罗斯,美国青春文学界涌现出的亮的一颗新星。22岁时创作的作品《分歧者》让她一炮而红,那时她还是美国西北大学的学生。随后她创作了《分歧者》系列第二部《叛乱者》。这两部作品都入围《纽约时报》畅销书排行榜超过100周。凭借这两本书,维罗尼卡罗斯成为美国青春文学界当仁不让的领军人物。2013年10月,数百万读者翘首以待的《分歧者》系列第三部《忠诚者》磅礴上市,迅速登上美国各大畅销书排行榜。
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编辑推荐
★好莱坞同名大片《分歧者》2014全球震撼热映!继《暮光之城》《饥饿游戏》之后令全球青少年读者狂野尖叫!
★全球已狂销1000万册!席卷全球40多个国家和地区,狂扫各大奖项!改变默多克旗下新闻集团的年度财报,单书贡献3%的增长点!
★美国青春文学新星维罗尼卡罗斯惊艳之作!占据《纽约时报》畅销榜超过100周,该报盛赞:节奏轻快,想象力奢华,细节精致,不同凡响!
★全球青少年粉丝狂热追捧!男女主角版芭比娃娃Tris和Four在美国风头无敌!
★较之《饥饿游戏》的人为设置情节,《分歧者》更像是未来“美好世界”里的真实发生的事情,令人置身其中,欲罢不能!
A Q&A with Author Veronica Roth
Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?
Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing—the characters, the story, the words, the themes—and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.
Q: You’re a young author--is it your current adult perspective or not-so-recent teenage perspective that brought about the factions in the development of this story? Do you think that teens or adults are more likely to fit into categories in our current society?
Roth: Other aspects of my identity have more to do with the factions than my age. The faction system reflects my beliefs about human nature—that we can make even something as well-intentioned as virtue into an idol, or an evil thing. And that virtue as an end unto itself is worthless to us. I did spend a large portion of my adolescence trying to be as “good” as possible so that I could prove my worth to the people around me, to myself, to God, to everyone. It’s only now that I’m a little older that I realize I am unable to be truly “good” and that it’s my reasons for striving after virtue that need adjustment more than my behavior. In a sense, Divergent is me writing through that realization—everyone in Beatrice’s society believes that virtue is the end, the answer. I think that’s a little twisted.
I think we all secretly love and hate categories—love to get a firm hold on our identities, but hate to be confined—and I never loved and hated them more than when I was a teenager. That said: Though we hear a lot about high school cliques, I believe that adults categorize each other just as often, just in subtler ways. It is a dangerous tendency of ours. And it begins in adolescence.
Q: If you could add one more faction to the world within Divergent, what would it be?
Roth: I tried to construct the factions so that they spanned a wide range of virtues. Abnegation, for example, includes five of the traditional “seven heavenly virtues:” chastity, temperance, charity, patience, and humility. That said, it would be interesting to have a faction centered on industriousness, in which diligence and hard work are valued most, and laziness is not allowed. They would be in constant motion, and would probably be happy to take over for the factionless. And hard-working people can certainly take their work too far, as all the factions do with their respective virtues. I’m not sure what they would wear, though. Overalls, probably.
Q: What do you think are the advantages, if any, to the society you’ve created in Divergent?
Roth: All the advantages I see only seem like advantages to me because I live in our current society. For example, the members of their society don’t focus on certain things: race, religion, sexual orientation, political affiliation, etc. I mean, a world in which you look different from the majority and no one minds? That sounds good to me. But when I think about it more, I realize that they’re doing the exact same thing we do, but with different criteria by which to distinguish ourselves from others. Instead of your skin color, it’s the color of your shirt that people assess, or the results of your aptitude test. Same problem, different system.
Q: What book are you currently reading and how has it changed you, if at all?
Roth: I recently finished Imaginary Girls by Nova Ren Suma, which I would call “contemporary with a paranormal twist,” or something to that effect. It’s about a girl whose sister has a powerful kind of magnetism within the confines of a particular town, and how their love for each other breaks some things apart and puts other things back together. It was refreshing to read a young adult book that is about sisterhood instead of romance. It’s one of those books that makes you love a character and then hate a character and then love them again—that shows you that people aren’t all good or all bad, but somewhere in between. Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.
--This text refers to the Hardcover edition.
媒体评论
“A memorable, unpredictable journey from which it is nearly impossible to turn away.”— (Publishers Weekly (starred review))
“You’ll be up all night with Divergent, a brainy thrill-ride of a novel.” (BookPage)
《分歧者》开创了自己的“反乌托邦”流派,其轻快的写作节奏、奢华的想象力,还有精致的细节描写,都会带给你不同凡响的感觉。
──《纽约时报》
逼真的幻想世界,建立在仔细刻画的情节之上,透过引人深思的角度去观看。
──《科克斯书评》
一趟令人难以忘怀、难以预测的阅读旅程,眼睛几乎无法离开书页!
──《出版人周刊》
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