The Cambridge Companion to Richard Strauss（ISBN=9780521728157） pdf 下载 txt 阿里云 lit rtf azw3 免费

Richard Strauss is a composer much loved among audiences

throughout the world, both in the opera house and the concert hall.

Despite this popularity, Strauss was for many years ignored by

scholars, who considered his commercial success and his continued

reliance on the tonal system to be liabilities. However, the past

two decades have seen a resurgence of scholarly interest in the

composer. This Companion surveys the results, focusing on the

principal genres, the social and historical context, and topics

perennially controversial over the last century. Chapters cover

Strauss's immense operatic output, the electrifying modernism of

his tone poems, and his ever-popular Lieder. Controversial topics

are explored, including Strauss's relationship to the Third Reich

and the sexual dimension of his works. Reintroducing the composer

and his music in light of recent research, the volume shows

Strauss's artistic personality to be richer and much more

complicated than has been previously acknowledged.

Chronology of Strauss's life and career Charles Youmans

Part I. Background: 1. The musical world of Strauss's youth James

Deaville

2. Strauss's compositional process Walter Werbeck

3. Maturity and indecision in the early works Wayne Heisler

Part II. Works: 4. The first cycle of tone poems David Larkin

5. The second cycle of tone poems James Hepokoski

6. Strauss's road to operatic success: Guntram, Feuersnot, and

Salome Morten Kristiansen

7. The Strauss-Hofmannsthal operas Bryan Gilliam

8. Opera after Hofmannsthal Philip Graydon

9. 'Actually, I like my songs best': Strauss's Lieder Susan

Youens

10. Last works Jürgen May

Part III. Perspectives: 11. Strauss's place in the twentieth

century Alex Ross

12. Musical quotation and allusion in the works of Richard Strauss

Günter Brosche

13. Strauss in the Third Reich Michael Walter

14. Strauss and the business of music Scott Warfield

15. Kapellmeister Strauss Raymond Holden

16. Strauss and the sexual body: the erotics of humor, philosophy,

and ego-assertion Bryan Gilliam

17. Strauss and the nature of music Charles Youmans

Bibliography

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书籍介绍

Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.