Friedrich Kuhn （1926-1972）： The Painter As Outlaw Friedrich Kuhn：不拘一格的画家 pdf 下载 txt 阿里云 lit rtf azw3 免费

Friedrich Kuhn (1926–72) was a leading painter in the Swiss pop art movement of the 1950s and ‘60s, often called the Zürich School of the Little Mad World. Kuhn’s unusual work showcases his desire to create an individual style of painting that lies between figurative and abstract, while being laced with idiosyncratic references to modern and popular culture. Kuhn’s personality as a raucous maverick has often overshadowed serious interpretations of his work; Friedrich Kuhn allows us for the first time to consider both the legend and the art in context.

Designed to accompany a vast retrospective exhibition of Kuhn’s work at the Kunsthaus Zürich, this richly illustrated book reassesses Kuhn’s paintings as early ambassadors of Swiss art that prefigured trends that continue to shape the international art world today. Including many previously unpublished paintings and photographs of Kuhn’s art and performances, the book also presents new essays investigating his work and the myths surrounding his life story.

Dank, Vorwort: Christoph Becker

Exile on Main Street: Bice Curiger

Werke von Friedrich Kuhn

Der Alpenkonig: Caroline Kesser

Bilder und Texte von Zeitzeugen

　Silvio R.Baviera

　Eva Ebinger-Simmen

　Ernst Gisel

　HR Giger

　Florin Granwehr

　Hardy Hepp

　Theo und Elsa Hotz

　Silvio Mattioli

　Paul Nizon

　Georg Radanowicz

　Thedi Roost

　Stefan Sadkowski

　Rene Simmen

　Elisabeth Wandeler-Deck

　Marianne Wydler

Kuhns vergeigte Happenings: Louis Jent.

　Liste der ausgestellten Werke

　Biografie

　Bibliografie

　Ausstellungen

　Fotonachweis und Impressum

English translations in the booklet at the back

Bice Curiger is an internationally renowned curator at the Kunsthaus Zürich, cofounder and editor-in-chief of the art journal Parkett, and the editorial director of Tate etc.

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书籍介绍

Friedrich Kuhn (1926–72) was a leading painter in the Swiss pop art movement of the 1950s and ‘60s, often called the Zürich School of the Little Mad World. Kuhn’s unusual work showcases his desire to create an individual style of painting that lies between figurative and abstract, while being laced with idiosyncratic references to modern and popular culture. Kuhn’s personality as a raucous maverick has often overshadowed serious interpretations of his work; Friedrich Kuhn allows us for the first time to consider both the legend and the art in context. Designed to accompany a vast retrospective exhibition of Kuhn’s work at the Kunsthaus Zürich, this richly illustrated book reassesses Kuhn’s paintings as early ambassadors of Swiss art that prefigured trends that continue to shape the international art world today. Including many previously unpublished paintings and photographs of Kuhn’s art and performances, the book also presents new essays investigating his work and the myths surrounding his life story.